“Now, none of that,” he said severely. “It’s no good your thinking of me. I’m wedded to my art. We are talking about Mr. Halliday.” The girl took stock of her and, apparently reassured, closed the door behind her.!

“What’s become of it?” asked Joan. “The child?” “God is a spirit. His dwelling-place is in man’s heart. We are His fellow-labourers. It is through man that He shall one day rule the world.”

Joan sat next to him at the round dinner-table with the child the other side of him. She noticed that he ate as far as possible with his right hand—his hands were large, but smooth and well shaped—his left remaining under the cloth, beneath which the child’s right hand, when free, would likewise disappear. For a while the conversation consisted chiefly of anecdotes by Mr. Airlie. There were few public men and women about whom he did not know something to their disadvantage. Joan, listening, found herself repeating the experience of a night or two previous, when, during a performance of Hamlet, Niel Singleton, who was playing the grave-digger, had taken her behind the scenes. Hamlet, the King of Denmark and the Ghost were sharing a bottle of champagne in the Ghost’s dressing-room: it happened to be the Ghost’s birthday. On her return to the front of the house, her interest in the play was gone. It was absurd that it should be so; but the fact remained. Joan laughed. “I’m a drummer boy,” she answered. “I beat my drum each week in a Sunday newspaper, hoping the lads will follow.” Joan grew angry. “If you choose to suspect evil, of course you can,” she answered with hauteur. “But you might have known me better. I admire the man and sympathize with him. All the things I dream of are the things he is working for. I can do more good by helping and inspiring him”—she wished she had not let slip that word “inspire.” She knew that Flossie would fasten upon it—“than I can ever accomplish by myself. And I mean to do it.” She really did feel defiant, now.